Category Archives: Poetry

Confusing the Sun & Moon

Dirty drifts hide in the shade
of shocked cherry weeping
beneath branches sporting buds

destined to not bloom. Snowmen
abandoned lose their heads.
Fat squirrels thieve acorn eyes,

noses from the once plump.
What’s left to see? My son asks
what we call the moon

seen during the day.
My answer — moon.

Sometimes the sun can make things look dimmer
especially if you look directly
into it

which I would do
if there were a sun to look into
but all I have is this grey

gloom mottled sky
with a hint of snow
like a threat

or sweet temptation
as if I’m standing on the edge
looking over

at the other me looking up
mouthing the word


Jim Zola has worked in a warehouse, as a security guard, in a bookstore, as a teacher for Deaf children, as a toy designer for Fisher Price, and currently as a children’s librarian. Published in many journals through the years, his publications include a chapbook—The One Hundred Bones of Weather (Blue Pitcher Press)—and a full-length poetry collection—What Glorious Possibilities (Aldrich Press). He currently lives in Greensboro, NC.

I Swear I Need New Medicine

There are reasons for this too, and reasons for the reasons; there always are.
— Raymond Chandler, “The Simple Art of Murder”

I’m dreaming of Kansas again,
the way hot air
touches everything.

The back patio after a storm,
hidden in green laughter.

A chickadee puddles in the shade
of a fender in the parking lot.
I saunter by feeling drunk

with empathy, a tonic that only
lasts until I reach the automatic

glass doors leading inside
where cool air is a blessing. Then I think
peccant angels crammed on pins.

Super glue, duct tape, temporary fixes.
Everyone I know is dying or moving out.

Jim Zola has worked in a warehouse, as a security guard, in a bookstore, as a teacher for Deaf children, as a toy designer for Fisher Price, and currently as a children’s librarian. Published in many journals through the years, his publications include a chapbook—The One Hundred Bones of Weather (Blue Pitcher Press)—and a full-length poetry collection—What Glorious Possibilities (Aldrich Press). He currently lives in Greensboro, NC.

Kris Kringle’s Picture on Coca-Cola Can

After hanging plastic candy canes,
shatterproof Santas and half a dozen
pine-scented sticks from our artificial
Douglas fir; my Jewish daughter turns
the seventh bulb on the electric menorah
in her bedroom window while across
the hall my infant son sleeps beneath
a ceiling of golden stars projected
by his penguin-shaped Dream Lite,
the sound machine filling his room
with ocean waves and their crashing.

Brad Johnson’s first full-length poetry collection The Happiness Theory (Main Street, 2013) is available at His work has been accepted by Hayden’s Ferry, J Journal, Meridian, Poet Lore, Salamander, Southern Indiana Review, Tar River Poetry Review, Willow Springs and others.


Faith, A Russian Wife’s Tale

She thinks it is because he hit her,
thinks the tiny hard spot grew
into a monster, a mountain, a man, his fist
buried in her breast, his fist
a mouth. She says, if only he’d hit me
anywhere else, believes he meant to leave
parts of himself inside, believes
it had to hurt because that’s how
he knew to love her, and she believes
in love though she’s forgotten what it is
to love the body. Hers is nothing
but uzli, hundreds and hundreds of them,
knots on a knit quilt, around her wrists,
inside the lymph nodes, knots
for every direction of wind.
If she unties one, she thinks
she will become illegible, a compass
always pointing east, a fisherman’s net,
the fish, loose or lost, and she doesn’t know
which is worse. She’s started drinking
to understand him, takes it cold
and in a tea cup, tells herself
the pain comes from outside her body.
And when he holds her hand
and rests his head against her
missing breast and tells her
she is soft and golden, she believes
her body is a map, it’s every ocean floor,
it is saltwater and sand.

julia head shotJulia Kolchinsky Dasbach emigrated from Dnepropetrovsk, Ukraine as a Jewish refugee at age six. She holds an MFA in Poetry from the University of Oregon and is a Ph.D. candidate in Comparative Literature at the University of Pennsylvania. Her collection, The Many Names for Mother, won the Stan and Tom Wick Poetry Prize and is forthcoming from Kent State University Press in Fall 2019. Author of the chapbook The Bear Who Ate the Stars (Split Lip Press), Julia’s recent poems appear in Best New PoetsAmerican Poetry Review, and Nashville Review, among others. She is Editor of Construction Magazine (www. and writes a blog about motherhood (https:// otherwomendonttellyou.

High Sierra


I love you Sierras because your eyes are blue
soaking up sunlight when the day is done
or casting a broad shadow over the Central Valley
while drivers going east on winter mornings
view your snowcaps from the freeway.

The skiers not exactly having a field day, although
snow levels are about normal for this time of year.
The Sierras could use a huge influx of storms
to add depth to a snowpack so desperately needed.

The hedonist in me says hide away on some exoplanet,
the realist admits to sins of the past, my psychic counsels
dip your toe in the fire. I have no intention of heeding
any of them. I’m going it alone from here on out.


Going it alone doesn’t mean going without the ones
you love whose souls permeate your mind during sleep.


Rumpled Humpty Trumpskin built a fifty-foot brick wall
all across the southern border from Tijuana to the Gulf.
Then the hungry season came and the workers all went
south to seek their fame and fortune in those archives
of ancient eras the famine mines, their task put to rest.


Ansel Adams revered the Sierras, photographed Yosemite
from every conceivable perspective. And John Muir
extolled them as a sanctuary for the passing of eons,
perpetually invasive glaciers, violent eruptions, erosion.

Some day there may be some sensational explosion
that rivals Krakatoa. Is Mount Lassen due? Anybody
tracking quakes in that neck of the woods?


Hundreds of thousands of trees dying off due to drought,
even the majestic giant redwoods in Sequoia Park
and Kings Canyon threatened with extinction.


We must repel the demons from hell
who come at us, crawling out of their tower windows
and dropping like spiders into the entire atmosphere.
They wind us in their invisible threads, threatening
every breath, each precipitous thought caught up
in their wintry webs. And so snowflakes are each
to each an epiphany, graphic indications that devils
can be bottled in a synthetic hell you pay no mind to.


In the opening to James Wright’s Minneapolis poem,
Minneapolis the city of my birth, my mother
and father’s births, he speaks of the hungry and frightened
homeless who died along the Mississippi shore, dreaming
of suicide. And how they fished their cadavers from
the wind-swept river. My grandfather was one of them,
he who spoke but broken English, illiterate immigrant,
drunk, whose skull was undoubtedly crushed,
his body tossed in the river. When they found him
days later washed up on the shore he was barely
identifiable, as fish had eaten most of the head
and the grotesque body bloated with muddy water.


Today it’s frigid, however late spring heat will instigate
rapid snow melt, and dreams maybe flowing down streams
of disappointment. We must ration our fears and marshal
all the technology we can are we to keep the Hetch Hetchy
dam productive, supplying power and water enough
to slake the thirst and keep lights lit for millions, to spur
agriculture that supplies the nation with essential produce.

These Sierras may well become a refuge for displaced
populations driven inland once coastal cities are flooded
and the value of their real estate gone up in smoke. Then
no fair using the Second Amendment as a scapegoat.


Should the carbon bubble burst we’ll be in for big changes
since the oil titans will go kaput as humanity scampers
round and round like unicorns encircling a hidden universe.

The Russian girl Nina at Goodwill rolls large plastic bins
filled with donations, embodying grace of a gazelle, while
Emanuel from Liberia walks with a heavy limp, sorting
what’s salvageable and what goes to the trash compactor.

Upon whose good will we can depend contingent, remains
to be seen, an utter mystery. Should detente ultimately win
the day, perhaps manatees will continue to exist awhile.


How do we gain prescience of their presence, I mean
those ancestors whose doppelgangers dawdle in these
massive Sierras? Do we look for them in our DNA?
Maybe kneel beneath a tall sugar pine, pray for them
to appear out of nowhere? Only the stars hold indisputable
truth as to what rightly survives, what left for dead to rot.

Thomas Piekarski is a former editor of the California State Poetry Quarterly and Pushcart Prize nominee. His poetry and interviews have appeared in literary journals internationally, including Nimrod, Florida English Journal, Cream City Review, Mandala Journal, Poetry Salzburg, Poetry Quarterly, Pennsylvania Literary Journal, and Boston Poetry Magazine. He has published a travel book, Best Choices In Northern California, and his epic adventure Ballad of Billy the Kid is available on Amazon in both Kindle and print versions.

Romeo Thinks On Rosaline

The call came at midnight: “Hello, old friend.”
He knew the voice, calked with tar and weather,
Spoke through smoke and perdition, a split-end

In time, a flaw of memory so human.
Across their marriage bed Juliet stirs.
She knows, yet speaks: “Is that your special friend?”

Unsaid denial chokes him. Air unbends
Under her gaze. He swallows desire,
Percussive, emetic. “When will it end?”

All these years in the bliss of depression
He has slept with fear of sun and scorn for stars
Unknowing if they grow for foe or friend,

Love or lust, that pale mad hard-hearted wench
Or sad poet of sentiment. He ponders –
And catches his wife’s eyes. He presses CALL END.

He thinks again of the friar’s poison.
He thinks of Benvolio and Balthasar.
He thinks on the inconstant moon. Old friend,
In my other life, how does this story end?

Anthony Tao’s poeAnthony Tao mug shot (large) 2try has appeared in journals such as Prairie Schooner, Borderlands, Kartika Review, Cottonwood, Asian Cha, Naugatuck River Review, Poetry East West, etc., plus an anthology of China writing called While We’re Here. You can find more of his work on his website, He formerly coordinated the international China Bookworm Literary Festival, and is currently managing editor of the China news website Follow him on Twitter @anthonytao.

Self-Portrait with Cherries

No matter how many times I drop the dried cherry onto my palm, it always ends up in the center.


Should I prefer the beauty of the fruit as object—sugar-sweetened and polished with oil—or the beauty of fruit as living body: the cherry at rest in the dish, or shrinking into itself in the sun?


Pitting wounds each fruit. Drying reveals flesh to be a fragile transparency.


We once made love in a friend’s shower till my skin puckered and your tongue found the cherry-red inside me, tasting my metal.


If the sky is lifting, all the cherries must be falling.

Asche Kate_high res COLOR head shot_credit Charlie McComish_webKate Asche’s poetry is forthcoming in Denver Quarterly and DIAGRAM and has appeared in The Missouri Review (as an Audio Prize finalist) and in Colorado Review, RHINO, Santa Clara Review, The Pinch, Canary and elsewhere. Her chapbook, Our Day in the Labyrinth, debuted in 2015 from Finishing Line Press. A graduate of the UC Davis Creative Writing program, she teaches workshops in Sacramento and runs the Sacramento Poetry Center’s Annual Spring Conference. Connect with Kate at